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Monday, October 23, 2017

Nyx's Unofficial Gothy Reading List

Some of these are must-reads for every Goth, and others are spooky books that I personally enjoyed. Everything on this list I have read. I think almost all of it is available on Amazon. I will keep adding to it as I read more books.

1. Dracula by Bram Stoker: Yup, a classic. Every Goth must read this one. This is a story that's been greatly influenced by film and other media-- surprisingly few people have read the actual book. For those who don't know, Dracula is an epistolary novel about a group of people who try to stop a Romanian vampire who is ravaging Victorian England. I remember being surprised that the book was actually much more about Dracula's effect on Victorian society than the vampire himself. Some of the horror has worn off now because the book is so famous, and because it plays to contemporary fears that are no longer relevant, but it had a gigantic influence on modern vampire novels and just about everything that came after it. I'm really disappointed that I haven't found a film adaptation that is true to the book. Most adaptations twist the plot into knots, or at least ruin Mina's character. Mina is fairly badass for a Victorian gothic heroine! Seriously, read the book. You may be surprised that, although Dracula had such an influence on vampire lore, some traditional aspects of vampire lore didn't apply to him-- sure, he was a night creature, but he actually could go out in sunlight without being harmed at all. He would just be significantly weaker and unable to use his powers.


2. Interview with the Vampire (and sequels) by Anne Rice: ​​​​A more modern classic. Almost all of Anne Rice's novels could be on this list, but the only one I've actually finished is Interview, and even if you don't read all the Vampire Chronicles, you should at least read this one. Even Voltaire's read this one, and he hates reading (sure, he found it as boring as any other book he's bothered to pick up and forgot most of it, but it's one of only three books he's ever read in his life, so if he read it, you have to). It's about a depressed vampire named Louis who agrees to tell his life story to a young interviewer. Louis was once a young plantation owner in New Orleans before he was turned into a vampire by the nefarious Lestat de Lioncourt. This book was intense, emotional, and sensual, as is the rest of the series. I still haven't finished The Vampire Lestat, even though it's been a year (as difficult as it is for me to get through, I like it better than Interview, because Lestat is basically Astor). Every Goth should read Interview at least once, even Voltaire.

3. The Sandman by Neil Gaiman: This is a popular must-read in the Goth community. It is a series of graphic novels, technically part of the DC universe, though somewhat separate (apart from character cameos). I've only read the first book, Preludes and Nocturnes, which follows the adventures of Morpheus (or simply Dream), a god/anthropormorphic personification/immortal entity that seeks to regain his magical items after breaking free of a magical prison. Beautifully contemplative at some times and downright horrific at others, it explores themes such as dreams, life and death, heaven and hell, and madness/insanity. Dream also has a sister, a perky Goth girl called Death. She's a lot more fun than you'd think. (Preludes and Nocturnes is stand-alone, so you don't have to read the whole series if you don't want to.)

4. Coraline by Neil Gaiman: I'm a huge Neil Gaiman fan, so quite a few of his books will appear on this list. Coraline is technically a kids' book, about a girl (Coraline, not Caroline-- actually the result of a typo that Neil decided to keep!) with a boring life and annoying parents who finds a magical otherworld where everything is better. She has an Other Mother and an Other Father too, and she wants to stay forever, until she realizes that it is a lot more sinister than it seems. It plays to children's wishes for a better version of life where everything is fun and parents will let you do what you want, and makes that dream a nightmare. Even before it's revealed what the Other Mother wants, there's still something "off" about the Other World that makes it unsettling. Overall a very creepy story, and much darker than the film at some points. You will never look at buttons in the same way ever again. There's also a sassy black cat!

5. Tales from the Dark Tower (and sequels) by Joseph Vargo (and other writers)*: This is a series of books based on Joseph Vargo's dark fantasy artwork (with an accompanying Nox Arcana album) about a vampire called Lord Brom who guards an ancient evil trapped within the Dark Tower, a sinister structure in the fictional town of Vasaria, Romania. The first book is a collection of short stories written by Vargo and a selection of other authors. The stories tell the history and lore of the Dark Tower, tied together by the larger plot arc, which acts as a framing device. The later two books are mostly written by Vargo and focus more on the main plot. Unfortunately, there is a biblical element and a Light = Good/ Dark = Evil dichotomy present in this book, which I wouldn't expect from someone like Vargo, though given the context it's less Light vs. Dark and more Dark vs. Darker. The stories are romantic, horrific, and gruesome, with plenty of Vargo's signature description that's so dark and morbid it's almost sappy. So, it's not the best writing on this list, but it's definitely entertaining. If you like horror stories, I definitely recommend reading it in a dark room at midnight with the album playing.

6. The Night Circus by Erin Morgenstern: I just finished this book, and it is a work of art! Breathtaking, magical, perfect. Where to begin? The novel centers around a circus, Le Cirque des Rêves, which is entirely black and white and only open at night. I call this the Hunger Games for Romantigoths. Celia and Marco are two young magicians who have been trained since childhood to compete with each other, in a game that neither knows the rules to, and only one can be left standing. Naturally, they fall in love. The book has three different timelines-- Celia and Marco's timeline, which describes the formation of the titular circus and their relationship with each other-- Bailey's timeline, which is about a boy who is infatuated with the circus-- and a second person timeline, which describes your own journey through the circus. I love that, although the competition drives and affects everything, it's more of a subplot. Most of the novel is about the circus itself. One of the things I really love about this book is, although Le Cirque des Rêves is nocturnal and ethereal, it is not sinister. Reading about Le Cirque des Rêves is like reading about Hogwarts. My heart aches to go there. It just seems so magical and ethereal and I would be elated to go there. The magicians can do actual magic, which they disguise as stage magic. The magic system in this book is very realistic and interesting. The love scenes are beautiful, passionate, and sensual, with none of the angstiness of YA fiction. I love the writing style. Also, somersaulting kittens. Read it, and be a rêveur!

7. Edgar Allen Poe: Every Goth has to have read something by Edgar Allen Poe. "The Cask of Amontillado" and "The Masque of the Read Death" are two of my favorite Poe stories, and I can recite "The Raven" from memory. Here's Red's take on Poe: www.youtube.com/watch?v=_KZqzk7p2uY

8. Frankenstein by Mary Shelley: This is another book so influenced by film and media that no one knows anything about the original novel. I hope you know that "Frankenstein" is the scientist's name, not the monster's name. The monster's grand awakening happens at the beginning of chapter 4 and is fairly underwhelming. No dramatic exclamations of "IT'S ALIIIIIIIIIIVE!" or anything like that. Nope. Poor Victor Frankenstein spends takes one look and runs for his life after seeing how ugly it is, and it proceeds to kill everyone he ever loved. The moral of the story: Monsters are people too (but you already knew that). Unlike Dracula, this is a sad story. It does not end well. However, despite the lack of space travel, this could be considered the first science fiction novel. I'm putting it on this list because it's a classic gothic horror novel and one of the most famous, but personally, I found it so depressing I couldn't bring myself to finish it, at least for now.

9. Through the Woods by Emily Carroll: A graphic novel of five short horror stories. Chilling, with lovely artwork. Give it a read.

10. Gothic Charm School by Jillian Venters: Not a novel, but a great resource for people new to the Goth scene. The Lady of the Manners is such a fun person and she gives genuinely good advice. Friends don't let friends dress like the Crow.

11. Under My Hat: Tales from the Cauldron and Witches: Wicked, Wild, and Wonderful: Two (unrelated) anthologies of short stories about witches. In both these books, witches are generally portrayed in a positive light. The stories are creative, original, and fantastical, though one story (by Holly Black) in Under My Hat is about real witches at a Beltane festival. I really love both these anthologies and if you like witches (or are one), you should read them. Both books feature stories by Neil Gaiman, Tanith Lee, and Jane Yolen.

12. The Picture of Dorian Gray by Oscar Wilde: Would you sell your soul for eternal youth and beauty? Another classic gothic novel, and one I'd definitely recommend. It was the only novel Oscar Wilde ever wrote, and it contained so much homoerotic subtext that it was used as evidence against him when he was put on trial. It's a short but compelling, sensual, and gruesome story about the nature of hedonism, sin, corruption, and the darkness within our souls. Dorian Gray may have been an inspiration for Tom Riddle/Voldemort. So glad I read this one. I think it's a new favorite!

13. Shadow Magic by Joshua Khan: It's purple, called "Shadow Magic" and has a giant bat on the cover? Of course I was going to read it! This was a cute, entertaining children's novel about a street-smart, badass peasant boy called Thorn and Lady Lilith Shadow, the sole heir to her family who is being married off to her mortal enemy out of desperation. Lily lives in a dark castle filled with bats, and comes from a long line of necromancers, but is forbidden from using magic to save her kingdom. Sure, it was a bit cliche— House Shadow's mortal enemies are from "House Solar" and wear white— but it was a really engaging mystery story with likable characters. The only thing that really bothered me is that this shadow kingdom, where people love bats and darkness and have bigger cemeteries than towns— is called "Gehenna." I thought it sounded stupid and not at all ominous until I learned it was a word for Tartarus or Hell. Oh... okay then. I still prefer "Umbragard," though. The second book was even better. This may not be a particularly deep or mature series, but it's still a ton of fun.

14. The House with a Clock in its Walls by John Bellaires: A creepy kids' book about wizards with illustrations by Edward Gorey? YES! It's a story about a boy who moves into his uncle's house after his parents die, but the house is magic, his uncle is a wizard, and an evil wizard planted a mysterious clock somewhere in the house. I kind of wish I'd read this before seeing the film, as I had the film in my head the whole time and they are quite different. The film aims for a Potter-like whimsey, and though it definitely has some darker elements, its tone is altogether lighter than the book (i.e. it's not Coraline). The book is a slow-burn horror kind of story, which is another reason why I wish I didn't know what the ending was!
(The film is still fun and worth checking out, but I'm leaving it off my Spooky Films list because it's tone is a bit too light, and that does occasionally clash with the darker conflict. It takes place over a MUCH shorter time frame, so the ending feels a bit rushed, but it's still worth the watch. The thing I loved most about it were subtle, obscure references to the occult that I picked up on! I mean, how many other viewers would know what Enochian Glyphs are? I wish all the occult stuff was in the book, but alas.)

15. Shadowbook by Ny-- oh, come on, you knew it was coming! Shameless self-advertising! You can read it here: www.shadowbook.pub



*Not to be confused with the Stephen King series.

Sunday, October 1, 2017

Best of Nox Arcana

It's October, which means it's officially SPOOKY TIME!!!

So, here's a list of all the best Nox Arcana songs. Whether you use it as background music for your haunted house, or just like to listen to it on a regular basis, these are the most beautiful and most classic Nox Arcana songs. They're arranged in no particular order, just what I thought would sound good, though most of my favorites are near the top. Please be aware that these are only from the albums I've listened to, so they may not be the best of all time. (I can't post videos for each one, so you'll have to look them up on Youtube or iTunes yourself)
"We Are Legion" - Legion of Shadows (this song speaks for itself. Every album starts with a short voice recording that sets up the context of the album)
"Night of the Wolf" - Transylvania (most popular song)
"Labyrinth of Dreams" - Grimm Tales (my all-time personal favorite!)
"Into the Night" - Legion of Shadows (another personal favorite)
"Shadow Dance" - Season of the Witch (easily the best song from the latest album)
"Echoes of Elise" - Ebonshire Vol. 3 (a haunting cover of "Für Elise")
"Hearthside Lullaby" - Ebonshire Vol. 2 (so beautiful and calming, especially in comparison to most of NA's other music)
"Magic and Moonlight" - Winter's Eve (mystical!)
"The Hidden Realm" - Legion of Shadows
"The Raven" - Shadow of the Raven (based off the poem by Edgar Allen Poe, this song reintroduced me to Nox Arcana and offically started the craze) 
"Ebonshire" - Winter's Knight
"Haunted" - The Dark Tower
"Haunted Carousel" - Carnival of Lost Souls (you want creepy carnival music, you've got it!) 
"The Dark Tower" - The Dark Tower (ABANDON ALL HOPE, YE WHO ENTER HERE!)
"Crimson Thirst" - The Dark Tower
"Born of the Night" -The Dark Tower
"Dark Desire" - The Dark Tower (honestly I reccommend this entire album. Listen to it while reading the books!)
"Noctem Aeternus" - The Dark Tower (dark and dramatic, with a very creepy surprise in the middle!) 
"Nocturne" - Transylvania (classic)
"Pandora's Music Box" - Carnival of Lost Souls (also classic)
"The Forgotten Path" - Grimm Tales (mysterious and kind of sexy) 
"Unhallowed Halls" - Gothic 
"Twilight" - Grimm Tales
"Saturnalia" - Winter's Majesty (totally brings to mind a ritualistic circle dance) 
"Gifts of the Magi" - Winter's Eve
"Undying Love" - The Dark Tower (romantic, and threatening!)
"Legion of Shadows" - Legion of Shadows (yes, demons are coming for your souls. Except the demon is YOU!)
"Shadowplay" - Theatre of Illusion (a fast-paced piece full of dark magic)
"Highland Storm" - Blood of the Dragon (the only Celtic-sounding song NA has)
"Pax Terra" - Winter's Eve (a gorgeous Lain hymn that's oddly uplifting. Nox Arcana gloriam!)
"Toccata" - Legion of Shadows (oh, come on, it's freaking Toccata and Fugue in D Minor!)


("Greensleeves" from Winter's Eve isn't technically on this list because it's particularly Christmasy, but I'm mentioning it anyway because I love it so much.) 

Tuesday, September 26, 2017

"Real Goths" and "Poser Goths"

The thing that really brings Goths together is an appreciation for things that are spooky, dark, or unconventional. That is literally the only thing that all the various types of goth actually have in common. There aren't really any rules for being Goth, whatever elitists might say. So, how come many people are so frequently labeled "posers"?     
        Every Goth knows of those people who just make you want to facepalm. The people who say they're Goth because they listen to Marilyn Manson.* Those people who go around introducing themselves as "Gothic Jane" (people actually do that!) or can't think up a more interesting Goth name than Raven (which is a great name, and I would use it in my writing if it weren't so unbelievably cliché). Taken a step further, those people who play to stereotypes and cliches, such as being gloomy and depressed all the time because they think it makes them "more Goth," when most Goths aren't gloomy and depressed. Oh yes, and "mall goths", those people who practically live at Hot Topic. 
        The dictionary defines "poser" as "a person who acts in an affected manner in order to impress others." The thing is, this is an accurate description of many babybats. Most people new to the Goth scene are so excited about the fact that they're GOTH that they'll shove it in everybody's faces and try to impress older members of the subculture. Also, many Goths consider a poser to be someone who is ignorant about the fundamentals of the Goth scene, and most babybats are because they're new to it. In fact, this sometimes makes babybats the most elitist Gothier-Than-Thou people out there, because they're insecure from trying to find their identity within the Goth scene and can't absorb all its diversity yet. "If you're different from me, that means one of us isn't a real Goth, right?" It's generally accepted that if you're a poser, you're not a "real Goth." Does that mean that the subculture is shoving away all its dramatic, naive newcomers, or that said newcomers are fighting amongst each other? What's the point of that?  The word "poser" is also slapped onto just about anyone who doesn't fit an elitist's ideal of what makes someone Goth. So what exactly is a poser? 
        A poser is a person who cares more about the image of being Goth than the actual aesthetic and mindset. They wear clothes that fit their idea of what Goth is, not clothes that they actually like. They listen to music that they think is Goth, without bothering to do research, or they listen to music that they don't really like because they think it's Goth. They play to stereotypes because they think you have to be sullen to be Goth. They do this maybe because they hate their parents, or maybe because they they hate "the mainstream" and want to be the counterculture, not because they're actually drawn to spooky stuff. They think that looking or acting "Goth" somehow makes them "non-conformists," although conforming to a counterculture is still conforming (again, think South Park). A black sheep is still a sheep, especially when it's standing with a bunch of other black sheep. What's the difference between a babybat and a poser? Babybats are genuine; posers are not. 
        To simply determine whether someone is a real Goth, ask them this question: What would you do if you found yourself in a world where everyone wears black, where everyone listens to spooky music and reads scary stories, everyone lives in old castles and Victorian mansions, where everyone has white faces and dark makeup, essentially a world where everyone is Goth (or, you know, Umbragard). Most Goths would be absolutely thrilled by such a place. As great as it is to be unique, a world where people genuinely share your tastes and interests is awesome. However, if your suspect responds negatively to this idea, such as saying that they wouldn't be Goth if Goth were "the mainstream," it shows that they only care about shock value or just want to be the counterculture. They're most likely not a darkly inclined individual. 
       Another nearly foolproof test? I heard a story on Quora about a girl who "did the whole Goth thing" (teased hair, heavy makeup, fishnets, etc.) to scare her parents, and her mother effectively and brilliantly ended it by complimenting her on her outfit and asking her to smile for the camera. I know if was complimented on my outfits by my parents (and I have been a few times), I'd be flattered, and I think most Goths would be, too! Most Goths put a lot of time and effort into their appearances and are proud of their fashion sense. If my parents wanted to take a picture, well, maybe I wouldn't give them more than a smirk, but I'd let them do it. When I commented on this post that real Goths would be flattered by compliments, someone replied, "There are real Goths?" Facepalm. 
        Any apparent Goth who makes a point about being angst-ridden and depressed and "expressing their internal suffering" probably isn't genuine. Morticia Addams said that "black is such a happy color." Even if we're not the most outwardly peppy of people, Goths are Goths because being Goths makes us happy
        Maybe I don't have the authority to talk about this because I'm a babybat myself (and the definition of that is debatable too; the Lady of the Manners considers a babybat to be anyone under 21, not just a brand new member of the scene, because older goths tend to use it as a term of endearment for young people. This seems to make sense. I don't think a 40 year old newcomer would be called a babybat). Despite that, I've done a lot of research and heard a lot of opinions, so I think I can give my two cents. After all, I've tried not to be ignorant, and I don't go around introducing myself by saying "Hi, I'm Sarah! I'm a Goth" (though I have introduced myself as Nyx Shadowhawk before). What do you think? 




Art by IrenHorrors

       


*Marilyn Manson's music is not considered Goth. There are undoubtably Goths that listen to him, but you can't say you're Gothbecause you listen to him.
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